Selected group shows

​ 2023

Il mio corpo è l’inferno, Confino Gallery, Turino, Italy



17th International Triennial of Tapestry, Łódź, PL

Decolonizations, Studio Gallery, Warsaw, PL

Interior, BWA Katowice, PL

City – Dreams, Bwa Krosno, PL



Open Departments / Closed Departments, Central Museum of Textiles, Łódź, PL

Disassembly, KMO Katowice, PL



Milk me sugar, Arsenal Gallery, Bialystok, PL

Tropical  sun dream, Tatra Museum, Zakopane, PL



Three Plagues, Labirynt Gallery, Lublin, PL


Waiting For Another Comming, Contemporary Art  Centre, Vilnus, Lithuania



Spojrzenia Deutsche Bank Award Exhibition, Zachęta National Gallery, Warsaw, PL

7th Young Triennial in Orońsko, Centre of Polish Sculpture in Orońsko, PL


participation in the project devoted to the artist Moshe Kupferman, BWA Tarnów, Gdańsk City Gallery, Gdańsk, PL

Masters Peasants Peasants Masters (alongside Karol Radziszewski), BWA Sokół, Nowy Sącz, PL


performance I Keep on Casting Geometric Shadows, Studio Gallery, Warsaw, PL

Communis – Renegotiating Community, Labirynt Gallery, Lublin, PL

Midnight Show, BWA Wrocław, PL

City.Cutout, BWA Tarnów PL

Untitled, performance, Return to the Island of South: Beyond the Boundary, Aisa / Europe, Kaohsiung and Tainan, Taiwan

Untitled, performance The 10th GUYU ACTION Performance Art Festival Shenzen, China

Untitled, performance, Embodied Action, Enacted Bodies CCCD Artspace - Green Wave Art, Hong Kong

Fight for a fire, GreyHouse Gallery, Cracow, PL


Ars moriendi, BWA Tarnów, PL


performance day,Domin(a)ction of space II, Contemporary Art Centre, Ujazdowski Castle, Warszawa, PL

performance Domin(a)ction of space I, Turbine Hale, Giswill, Switzerland 

LOVE, PGS Gallery, Sopot, PL  2013

performance Draft, PERFORMANCES POLONAISES -Le Lieu, centre en art actuel, Quebec City, Canada


XIII’International Performance Festival „Interakcje” Piotrków Trybunalski, PL


Epaf International Perfrmance Festival,Contemporary Art Center, Ujazdowski Castle, Warsaw, PL

fot. Yulia Krivich

Individual exhibitions



Night is Naked, Lisowski Gallery, Warsaw, PL



People–Teeth, Import Export Galllery, Warsaw, PL

A Day of Absence, Cricoteka, Cracow, PL

Model of a Head of a Man Who Missed Out Everything, Leto Gallery, Warsaw,PL



I Is Somebody Else, Centrala Space, Birmingham, England

I Wanna Be Your Colonizer, Gdańsk City Gallery, Gdańsk



Mountain/Cosmos/Head, Labirynt Gallery, Lublin, PL



Just a Dick, Grey House Gallery, Cracow, PL

Ten Guys in One Car, Sesama Gallery, Yogyakarta, Indonesia



Work-shop, Project Room, Centre for Contemporary Art Ujazdowski Castle, Warsaw,  PL

The Birth of Black and White, Księgarnia / Wystawa, Cracow

Masters Peasants Peasants Masters (alongside Karol Radziszewski), BWA Sokół, Nowy Sącz PL

untitled, Meet Factory, Prague, Czech Republic



Übung (twenty-four-hour performance),  BWA Zielona Góra, PL



Hiccup, MOCAK, Cracow, PL



M.O.R.O., Wschodnia Gallery, Łódź, PL

(nie)swój/(non)own, Gdańsk City Gallery,PL



Shipyard–Map of (Non)Memory, (alongside Sylwia Galon), Wyspa Institute of Art, Gdańsk, PL





2013 – 2017 – PhD Studies, University of Art, Interdisciplinary Doctoral Studies, Posen, Poland


2011 – 2013 M.A – Academy of Fine Arts in Cracow, Poland, Intermedia Departament, Performance Art Studio


2008 – 201 B.A – Academy of Fine Arts, Intermedia Departament, Cracow, Poland


2010 – 2012 – Pedagogical Study at the Fine Arts Academy, Cracow, Poland





2018 – VillaRomana, Florence, Italy, 2 months residency

2017–TERRA Foundation of American Art, Giverny, France,  2 months residency

2017–Sesama Gallery, Yogjakarta, Indonesia, 1 month residency

2016 – Meet Factory, Prague, Czech Republic, 3 months residency

2011–Spektartulum, Posneck, Germany





2017– 2nd prize Spojrzenia/Views Deutsche Bank and Zachęta National Gallery Prize, Warsaw, PL

2016–1st prize in Foundtation Grey House, Grey House Gallery, Cracow, PL

Rather than annihilating all existing representations, artists should expand and transform them, engage in subversive thinking and turn it into an instrument of identitarian emancipation. In this sense, from the perspective of neopoetic metaphor, my projects are like islands, autonomous creations which exist for their own sake even as they are part of archipelagos and multi-tiered constellations. They represent a complete narrative whose meanings never stop emerging from the intertwined fabric. Now their structure looks like a Baroque patchwork, now more like a Chinese box. The Deleuzian notion of rhizome speaks to me, as does Bernard Stiegler’s concept which suggests that technics is inorganic organised matter, a substitute or prosthetic for body and bodies. I focus on the transformation of static relations into performative action but what I find genuinely interesting is all the states in between.

Przemek Branas

I was born in 1987. I come from the city of Jarosław but I live and work in Warsaw. I operate on the intersection of many media including performance, video, and installation. I am never satisfied with any single material or aesthetic. I find it more inspiring to borrow and accommodate diverse cultural codes. While I like to tell stories, what captures my imagination more than the story itself is how it is constructed: its invisible joints, all its cracks, gaps, and folds. My practice treads the line between the core and the periphery, objects and their performativity, voyeurism and subjects which emerge in motion.

I like to think of myself as an artisan, a figure of the Enlightenment turn, the producer of tangible forms at my workshop, a 19 th century ethnographer or researcher browsing through archives, compiling materials and collecting affects, bringing them into the fold of contemporary motifs. I like to explore social contexts. Even if political rebellion has spent the last of its resources, I believe that artists should pick on the social body, irritate the public, reveal what has been repressed, including fears and traumas, desires and wants.